Showing posts with label Andrew Saxsma. Show all posts
Showing posts with label Andrew Saxsma. Show all posts

Friday, September 13, 2013

An Interview With Author, Andrew Saxsma!!

Meet our guest author, Andrew Saxsma!



Where are you from?

Originally, I’m from a teeny, tiny town called Clifton in Illinois.  When I say teeny, tiny, that’s no stretch of the truth.  My graduating class only had about sixty-something people.  Main street is a string of 2 bars, an antique store, and a deli.  Our elementary school was closed down and a pizza chain bought the space in the cafeteria.  Seriously.  But, about a week ago, I moved to Los Angeles, even after I’d heard all the horror stories about living here.  I will say, the traffic lives up to its reputation, but really, it’s no worse than Chicago (which was only about 40 min away from where I used to live).  I’m in love with this city.  So much to do, so much to see.  It’s incredible.


What inspired you to write your first book?

My first book, Redial, actually hit me, the idea anyway, while I was watching PS I LOVE YOU, with Hilary Swank and Gerard Butler who passes away very early into the film.  There’s this scene where she’s lying in bed and she’s calling his cell phone over and over to listen to his voicemail.  It’s very sweet, very sad, very emotional.  It’s a great scene, but as I was watching it, a thought hit me like lightning.  What if he answered??  Or better yet, what if something else answered?  Suddenly, this very sappy scene became something of horror, and I loved it hah!  From there, my brain just sort of catapulted with ideas, eventually turning into my first novel.


Do you write full-time or part-time? How do you balance your writing life with your family/work life?

I am a part-time writer, sadly.  In economic times like these, even us authors have to get day jobs to get by.  The thing that kills me is all day at work that’s what I think about, writing.  I wouldn’t say it’s distracting, because it’s worse than that!  Somehow, though, I manage.  I try to write between 25-30 hours a week, but honestly, that’s not always attainable.  So, it’s a struggle, and I know I’m not the only writer who battles with that.  Why can’t we all just do what we love, all the time!?


What jobs have you held that influence your stories?

When I was 15, I worked at a small grocery store in my hometown.  I was a stockboy, at first, and a chicken cook (basically, I fried chicken).  I worked side-by-side with a butcher who was batty as shit!  Seriously, he was so strange, but he was a really nice guy.  Anyway, on my blog, I run a series called Hell Breaks Loose, which is post-apocalyptic zombie stuff.  The beginning of the series takes place in my hometown, and in one scene the main character, Mitch, goes to the store and encounters a Mad Butcher, which is based off the guy I used to work with.

Do you have a specific writing style?

If you’d asked me this a year ago, I would have said that I hadn’t found it yet.  I’ve done quite a bit since then, and I’m actually proud to say that I think I’ve finally nailed down my writer’s voice to coincide with my style.  I prefer a bit of action with my horror, and I love to toss in some gore, but not for gore’s sake.  

How did you come up with the title?

The title for my latest book, Old McDonald, came to me after a few days of trying to squeeze a title out of my head.  I don’t think I’ve ever had as hard a time coming up with a title as I did for this book.  Usually, after it’s done, or sometimes in the middle of writing it, a title will just sort of step out from the shadows, revealing itself based upon the material on paper or in the CPU.  That didn’t happen for this one.  But, I’ll say the title is pretty much self-explanatory, and I quite like it.

Is there a message in your novel that you want readers to grasp?

The main character, Gene, is a simple guy.  He likes simple things and he loves simple living.  When he strays from that, shit starts happening.  I grew up on a farm, so I can empathize with that small, simple living.  Science catches up to Gene, and that’s the downfall.  It’s not an opinion that I have, that Science is inherently evil, but I think there are things that just shouldn’t be messed with, and I definitely exemplify that in this tale.

How much of the book is realistic?

If you discount crazed farm animals rampaging across the countryside as realistic, then not much, hah!

Are experiences based on someone you know, or events in your own life?

Like I said, I grew up on a farm, and some of the experiences I had in my own childhood played a part in the story.  The farm in the book, as I describe it, is identical to the one we lived on.  Everything else is completely fictional.  

What books have most influenced your life most?

Oh, there are soooo many!  The one that I saw in my head first, after reading this question, is the book IT, by Stephen King.  It’s one of my favorites, because it has a little bit of everything, and those everythings are done so well.  I can only dream of crafting a book as great as that one.  

If you had to choose, which writer would you consider a mentor?

Honestly, my writer friend, Greg, would fall into that role.  He’s the one that got me started in actually taking my writing seriously, about 6-7 years ago.  Since then, we always bounce ideas off each other, giving each other feedback and critiques.  We look over each other’s work for grammar and such.  He’s a huge part of my writing, even to this day, and he’s brutally honest, which I take with a gran of salt.

What book are you reading now?

Right now, I’m reading The Skinner by Neal Asher.  I’ve started getting into hardcore Science Fiction lately, and am really enjoying it so far.  Neal Asher is a spectacular writer.

Are there any new authors that have grasped your interest?

In my spare time, I work as an Associate Editor for Trembles Horror Magazine, and every once in a while we’ll get some wonderful stories from unknowns, which is a joy.  

What are your current projects?

I have a lot of projects on my plate right now, one of which is absolutely TOP SECRET.  But, I’m working on a novella called When Angels Scream, and am still trying to finish my fourth novel A Velvet Kiss Goodnight.
 
Name one entity that you feel supported you outside of family members.

My friends of course, who continually yell at me to finish what I’m doing so they can read it, hah! 
 
Do you see writing as a career?

Absolutely.  It’s something I take very seriously, and it’s something I treat like a job.  I can’t call in sick, I can’t take a vacation.  It’s there, it’s real, and it has to be taken seriously as such, otherwise what is then?  A hobby?  

If you had to do it all over again, would you change anything in your latest book?

Not at all.  It came out just the way that it should have, I feel.  I mean, there were times when I wanted to go back and change things, but I got myself to believe that it was complete, in and unto itself.

Do you recall how your interest in writing originated?

It started back in high school, with a creative writing assignment in an Advanced English class.  I wrote a crappy story about a band of pirates plagued by this vicious sea creature.  I mean, the story was atrocious, and not at all cohesive, but that’s where it started.

 
Is there anything you find particularly challenging in your writing?

Dialogue is always a point of contention for me.  It just doesn’t come as naturally to me as the rest of the writing does.  For me, it’s a question of believability and finding the right words for that character.  Everything else, I can see in my head clear as day.
 
Who designed the covers?

I was actually approached earlier this year by an artist from the UK, named Stephen Cooney.  After sampling his work, I was sold.  His artwork appears on the cover of Old McDonald, and will appear on the cover of A Velvet Kiss Goodnight.  My first two book covers were created by a friend named Luke Imbery.
 
Do you have any advice for other writers?

Write.  Write often.  Write genuinely.  If your head is screaming at you to put it on paper or on the keyboard, you must obey.  Also, read!  Get your hands on as many books as you can.  Devour them.  Eat them whole!

Do you have anything specific that you want to say to your readers?

I just want to say thank you for supporting me, for reading my work and thanks for all your kind words and harsh criticisms.  We cannot improve without knowing what we’re doing wrong.


What do you think about e-publishing versus technical publishing?

I think it’s wonderful.  It gives so many people access to their piece of the publishing pie, and it empowers them, with the right tools and the drive, to their own successes.


If you could live anywhere, where would it be?

I just moved to the city I’ve always wanted to live in!!!


If you could have any super power, what would it be?

I would wanna’ fly like superman or have the ability to teleport like Nightcrawler!

For More on Andrew Saxsma:

Wednesday, September 11, 2013

Old Mcdonald by, Andrew Saxsma! Book Blast!

Old Mcdonald
Andrew Saxsma
 
 Farmer Gene Gibbs should have gone with his gut instead of
 
 his wallet when he purchased his farm's newest livestock. 
 
Guaranteed to be 99.9% like the 'real' thing, Gene quickly 
 
learns just what that margin of error costs...and it just might
 
 be his life.
 
 

Reviews
 
Are you ready for the farm from hell?

When Old McDonald begins, Gene is in the kitchen making chili. He is afraid of what is hiding in his barn. Something horrible is out there, and he is afraid that it will break into the house. Whatever it is has already seriously injured his wife.

I am a huge fan of horror stories, and this one was great. My curiosity was dying to know what was going on just from reading the description of the book. Once I started, the questions kept piling up in my brain with every page I read. I'm not sure that I would have ever wanted to own cloned livestock before, but now I know I never will.

The main character is one determined man who will go through anything to save his wife. He goes through hell attempting to get medical help for her, and I believe his love for her is what enables him to survive.

The non-stop action, vivid descriptions, and nail-biting suspense were so great that I kept reading even when I exercised on my elliptical machine. I couldn't bear to put my Kindle down.
-------------------------------------------
 
The opening two pages.... yeah, wow. Well played, Mr. Saxsma, well played.

Openings are make-or-break for storytelling, grab your reader - or audience - and hold on. Andrew Sawsma nails his opening of Old McDonald. The use of pretty prose, in the opening paragraphs, paints such a lovely image of a man cooking. Home, food, and family; it's peaceful and safe...then...

Things. Get. Creepy.

It's not a kick-the-doors-in-guns-blazing change of tempo but rather a slow boil of something off. Creepy, creepy questions start burning into your mind. "Who and what are they?" "What's with the, near comatose, people in the living room?" "The wife is dying?....what the hell is going on?"

Soon it's one thing after another. I mean it. This is a calculated prize fight with the grit of a street brawl. Hit after hit, relentless. I found myself at the point I was begging that the characters would get a lucky break; a moment to catcher their breath. Like that annoying guy at the theater, I was screaming at the characters, "Don't..."... I'm not going to tell you, what they shouldn't have been doing, You'll just have to read it yourselves.
 

Monday, September 9, 2013

Writing Challenge With Andrew Saxsma!

The challenge:
In 3000 words or less, write about a widow/widower that talks to themselves. Are they crazy, or are they still seeing their deceased spouse? What does their child think about it?

The Result:

Field in the Dome


by Byline


      I never knew too much about things like artificial atmospheres and fake gravity, things like liquid diet rations, pissing into a tube, and ‘deep sleep’, or things like ghosts…
      I grow corn on a ship, hurdling at ninety-nine percent the speed of light.  The only reason I know that?  It was in the brochure.
      Slip, that’s what they call me on the ship.  Dad calls me Sprout.  I don’t care for either one, but we’ve been going so long, flying so far, I can’t remember my real name anymore, not that it would even matter.  We’ve got another eight years before we’re back on Earth.  I’ve got time.
      I heard, once, things get funny when you’re in space too long.  I heard about guys walking out an airlock, thinking they’re stepping out onto their front lawn, sidewalk, whatever, when, really, their skin crystallizes and all the gases, liquids, and all the body’s juices shoot through their eyes like a ketchup bottle squeezed too tight.  But, as I said, what do I know?  I just grow the corn.
      I grew up outside Chicago, working in my Grandaddy’s field, alongside my Pap, pulling weeds with my bare hands.  Pap says that’s what God made ‘em for, for pulling weeds.  Did that for about three years ‘til one really hot summer, Grandpa cooked us supper, let the dog out, then went to bed and didn’t wake up again.  He was colder than a flagpole in January when me and Pap found him.  After that, some deep space trading company bought up the farm and Grandaddy’s back acres, and roped me and my Pap into one of their ‘long’ routes.  Pap used to say it was the least they could do.  If not, we’d ‘a been out on our asses and Pap was much too proud a man to let something like that happen to his family, especially when he could do something about it.  Anyway, Pap talked mom into coming along too, not that he had to pull her arm too hard or nothin’.  She loved us, her boys.  I think it would have killed her to be without us for sixteen years, eight there, wherever it was they were throwing us, and eight back to Earth. 
      At first, Mom complained about stomach cramps, and she didn’t eat too much either, maybe once a week, if that.  It made Pap nervous, concerned, and he talked her into seeing the ship’s Doc after a few weeks. 
      Turned out, her gut’d been eaten up by cancer, something wicked, just completely hollowed out most of her insides like a carved up pumpkin.  The Doc said he’d never seen anything like it, thought space might have made it work faster, nuking her like a microwave.  Doc also said the human body, it wasn’t made for space, no matter how you played it.  Either way, he was right.  She didn’t make it two months.  Passed quietly, she did, without a goodbye. 
      The Captain wanted to pop her body out an airlock but Pap wouldn’t have it, said he wouldn’t have his wife thrown away like space trash.  He buried her, instead, in the soil in the Dome, the ship’s mid-section, where we grew the crops and most of the ship’s food stuffs.  Wasn’t ‘economical’ to fill the ship’s hold with enough food to feed ten guys for sixteen years.  Made it mandatory we grow what we eat.  Made sense, even to a guy like me who didn’t get much farther than the eighth grade. 
      It busted Pap up for weeks, though, Mom’s death.  He cried so hard, so often, he had no voice.  He had these hitching fits where his body would shake, snot and tears pouring down his face.  I couldn’t watch it.  I mean, I tried, but after a while, it just got too hard.  You can only watch a grown man, your Pap, suck for air because he’s blubbering like a suffocating fish so many times before you say to yourself, I just can’t watch this anymore, can’t do it.  So, that’s what I did.  I stopped.  It’s funny, but maybe that was part of the problem.  This man once hand-wrestled a cow to the ground while hungover as shit, but now he can’t stop crying long enough to eat.
      He started disappearing before too long.  Nobody knows where he went.  I got my guesses.  But, he wouldn’t show up to water the crops or check the irrigation lines and nutrition dispensers for the soil.  The way it works, he and I take shifts, me at ‘night’ and Pap during the day.  I say ‘night’ because it’s always sunny in the Dome.  It’s like New York City at New Years, all the time. 
      So, it’s not like I’d caught him slacking.  I couldn’t.  We didn’t work together, ever.  Well, sure, we crossed paths now and again, but like I said, he’d been doing a lot of disappearing acts, so even that stopped.  But, I knew he’d been doing it, or rather, not doing it when, we started losing whole acres of crops.  Whole fucking acres!  This isn’t like back home, on Earth, where a guy can lose his lot and write it off.  Here, when we lose a crop, somebody ain’t eatin’, simple as that.
      I went to the steel closet hutch, near the Dome’s crew quarters, at the back of the corn field after testing the irrigation lines one day, and saw Pap, just sitting there on the bench inside beneath the humming fluorescent bulb hoods.  The room reeked of sweat and bitter, humid body odor.  He had this quiet, sour look on his face, just lost.  He stared off.  If he knew I was in the room, he made no indication.  He just sat, hands entwined, eyes unblinking. 
      “Pap?” I asked, putting my tool belt into my locker then shutting it.  The hinges squeaked, grinding rust and metal into little flakes that fell to the grated floor.
      He looked up at me, like he didn’t recognize me, at first, then he smiled for just a moment, half-assed, before looking back down at his folded hands; lost again.  
      I sat down beside him and wrapped my arm around his shoulder.
      “When was the last time you ate, Pap?” I asked, giving him a good squeeze, feeling his bony shoulders and spine.  The artificial gravity was playing hell with his muscular system, especially without any food to strengthen it back up.  “Feels, to me, like you’re wastin’ away to skin and bones.  Mom would-”
      “Sprout,” he said, interrupting me.  He removed my hand from his shoulder and stood, walked over to his locker and stopped, facing it.  “Do you know what happens to a person’s soul when they die out here, on a ship, in dark space?” he asked.  He reached for the locker handle and held it, waiting for my answer.
      “Pap, you gotta’ stop this,” I said.  “The Captain, the crew, they all think you’re a couple marbles short of a jug, and I’d wager they may be on to something, what with all the times no one can find you.  Let’s get you back to work, get things back to normal.  That’s what you used to say; hard work does the body good.  We’ve lost another lot this morning, prolly another on its way out tomorrow.  We need normal right now.” 
      He looked up at the ceiling and I could almost hear him smiling, though I couldn’t see his face.
      “Normal,” he said, on the verge of a good ole laugh.  He lifted the handle to his locker and eased it open.  “Tell me, Sprout, did the good boys from the bridge send you down here to talk to me?  Did they beg you to make a lick of sense from what I’ve been doing?  Let me tell you something right now.  There aint’ nothin’ wrong, boy-o.”
      “Pap,” I said, standing from the bench, reaching out to him.  “Nobody sent me down here for you.  I got no clue where this is coming from.  I’m worried about you, is all.  It’s been three months.  You gotta’ let her go.  The grieving’s killing you.”
      He laughed and reached inside his locker and I heard him lift something heavy from the tool hook inside.
      “Grief?” he asked.  “This isn’t grief anymore, Sprout.  No, my boy, this is beyond that now.  I can see it.  I did see it,” he said, turning around, holding a chrome hatchet with a rubber-reinforced grip.  He twisted it around in his hand, testing its weight.  “I saw it.”
      He took a step toward me, glaring at me, and I bumped into the bench behind me, falling onto my ass on its seat.  I gulped, nervous, and I could feel my palms, greasy with sweat.  This man, it wasn’t my Pap.
      “Out here,” he said, looking down on me, hatchet in hand.  He licked his bottom lip, staring through me.  “In this endless void, it’s got nowhere to go, the soul.  It lingers for too long, doing nothing, vulnerable, becoming something else entirely.  I don’t know what.  Don’t much matter what it is, not to me.  Evil, I suppose, if you had to guess.  But, I don’t care, Sprout.  I don’t care.”  He stuffed the handle of the hatchet into his toolbelt and made sure it was secure.  “It’s not getting me, and it sure as hell ain’t getting you or the crew.”
      It’s funny, looking at him while he stood there, prepping to do whatever it was he had planned to do, the only thing I could think about was the first time we’d rolled a cigarette together, underneath the oak tree on my Grandaddy’s front lawn.  I couldn’t get it just right, and when I gave up, he licked the rolling paper, twisted the ends, then rubbed his knuckles on my head with a laugh, fingers smelling like sweet, cherry-scented tobacco.
      “Pap, go see the Doc, please!” I begged.  “You look like you’re a stone’s throw away from falling apart.”
      “There’s something I gotta’ do first, Sprout, then everything will be okay again.  Then we can go back to normal, eh?”  He smiled.
      I felt helpless as I watched him leave the hutch, holding the handle of the hatchet, dangling from his belt, as he walked.  Anger, white-hot, burned in my gut and I felt tears building in the corners of my eyes.  My chest hitched, and for a moment, I thought I might be the blubbering fish, sucking for air for a change.  I held my breath and let it pass, and I waited, thinking about my Mom, my Pap.  I know it hurt.  I’d hurt too.  I read somewhere that people handle death differently, and maybe that were true, I mean, it had to be, right?  Look at my Pap.  He’d taken something, something strange, and he’d ran with it like a Bear’s halfback in a sweet vanilla offense.
      Later that day, on my way to lunch, I saw him standing on the edge of the cornfield, staring down a row of stalks, hatchet in his hands.  He gripped it, afraid, and I thought I’d heard him talking, not in English, words sharp and menacing.  It rattled my spine and my blood ran cold.  I got goosebumps as I watched him, talking to nothing, whispering to the field.  He started yelling, the cords in his neck bulging, surging, screaming at the corn stalks.
      I took a deep breath and clenched my jaw, wincing as Pap shouted louder, waving the hatchet now, above his head, gesturing with his free hand at something I couldn’t see.
      Before I could talk him down or reach out to him, like a son ‘prolly should do, like he would have done for me, he’d disappeared into the field, corn leaves flapping behind him, cackling like a riled jackal.
      I considered running in after him for a moment, but him with a hatchet in whatever state he was in, it sounded like a bad shake.  Instead, I headed to the cafeteria, hoping this hold on my Pap would run its course, leaving him the man he was in the start, before Mom died, and he’d be back in the crew quarters by the time I’d get done fixing the broken belt in the west acre.  I’m tellin’ you, it didn’t turn out that way, no matter how much I sit here, amongst the broken piping and leaking hydraulics, wishing it couldn’t have gone the way that it did.  But, a good friend of mine used to say, ‘if wishes were horses, bums would ride’.  So, where’s my fucking saddle?
      It was probably two weeks after I’d seen him, Pap, charging into the cornfields with the hatchet.  Things had settled.  He’d gotten back to his routine, ya’ know, testing the nutrition dispensers for degradation, maintaining the water purity levels, regular stuff.  He’d even gotten his appetite back and started putting some fat back on them bones, really fillin’ himself back out.  He was comin’ around, and I even caught him smiling now and again, though he’d never admit it if you called him out on it. 
      That particular day, he’d spent about two hours trying to get pump one unclogged.  Some topsoil had gone soft and wedged itself something fierce in into the filter, and it wasn’t budging for shit.  He called it a day, figuring I could get it at night.  My hands were smaller, and I was the only one who could fit into the line if I couldn’t get it topside.  I remembered seeing him head to the cafeteria to grab some supper when I was walking to the pump hatch, putting on my toolbelt as I did.  I went in, clean as a whistle, came out stinkin’ like ten-year-old shit and sludgy mold, but I got that bitch unclogged, sure did.   Took me a couple hours too, but the only other things that needed doing weren’t at the top of the list, so I figured I’d grab me a shower before I got back to it.
      I’d gone into the crew quarters to grab a fresh pair of pants and a shirt before I headed to the bathroom when Pap threw open the bulkhead hatch and slammed it shut behind him with a hollow clang, planting his back against it, looking like he’d just gone toe-to-toe with the devil himself.  Sweat streamed down his forehead and cheeks, pooling into the collar of his shirt, soaking it a darker color the size of a dinner plate, and I wasn’t sure, but it looked like he had bloodstains on his hands.
      He struggled for breath, looking around the room, eyes darting back and forth like typewriter ribbons.
      I ran to him and pulled his hands out, palm open.
      “Jesus, Pap!  You’re bleeding,” I said.
      He yanked his hands back from me.
      “It ain’t mine,” he said, turning around and twisting the bulkhead lock clockwise, securing it.  He backed away from the door, panting like a dog still, ruffling the small amount of hair on his head.
      He spun around, remembering I was in the room, and grabbed my shoulders, shoving me back against a shelving unit on the far wall, rocking it on its teeny legs.
      I stared into his empty eyes, scared shitless, and I couldn’t tell, but I might have shit myself.
      “It was gone, but now it’s back, Sprout.  I thought I’d killed it, rammed a hatchet right through its skull, spilling its brains all over the dirt, but God-damnit all, it’s back.”  He reached behind me, grabbing something with some weight from the shelf, and handed it to me.
      I looked down at his offer, a hammer.
      “God can’t see us way out here, boy, here, where real and not real, I think, are one and the same.  I believe the soul, it’s a portal, boy-o.  When it’s got nowhere to go, it opens.  I don’t know much about heaven or hell, but what I do know is that something’s out there and-”
      Something screeched, like fingernails dragged across a chalkboard, on the bulkhead hatch.  Pap turned, listening to the squeal snake along the door, weaving along the outside of the crew quarters.  When it stopped, he looked at me, the color in his face gone.
      My heart quickened, heat building behind my cheeks while sweat rolled down the back of my neck.  I didn’t know it, but I’d started shivering.
      Pap flung me aside, knocking buckets and boxes off the shelf, searching.  He stopped, grabbing a tin of rat poison, for the small little stowaways we’d find from time to time.  He slammed the tin into my chest and waited for me to grab it.
      When I did, he said, “Pour some of that into the vent, there.”  He pointed at the vent covering over my bed.
      I held it up, looking it over, hesitant.  A clang echoed from the other side of the vent, where the thing let out no doubt.  Something was scrambling through the vent’s track, following it.
      “You wanna’ wait ‘til that thing is munching on the black stuff in your gut, the stuff that never sees sunlight, before you start dumping that shit, Sprout?” he asked.
      I stared at the vent cover, hands shaking, the liquid in the tin shifting back and forth, frothing inside.
      Pap tore it from my hands, along with the hammer, and buried the teeth of the hammer’s head into the vent cover, prying it open and throwing it to the floor.  He plucked the tin’s lid off with his mouth and turned it upside down.  The dark liquid chugged out in thick waves and I heard a shrill scream from inside the duct.  I ducked, covering my ears with my hands, screaming out while the shrill scraped the inside of my ears.
      I saw Pap fall back, tin flying through the air, bouncing along the floor, leaving a trail of dark poison behind.  He crashed, skidding along on his back.  I looked up at the vent duct and my stomach dropped, tears swelling in my eyes.  The air sucked out of my lungs and for a moment, I was dizzy.  What I saw defied everything I’d ever known, and I still doubt from time to time what I’d seen. 
      It looked like Mom, but the skin on her face sagged away from the bone, her eyes shriveled like rotted raisins.  Piss colored juices bubbled out through rips in her moldy, rotted skin.  She smiled, black, oily slime dripping over her lips and down her chin, and she waved before slithering back into the duct, hiding back in the darkness within.
      The ammonia sting in the air from the poison burned my eyes and throat as I crawled over to Pap, making sure he was still breathing.  He lay there, staring at the duct.
      “It lingered too long,” he said, over and over.  He looked at me as I sprawled up onto my knees, leaning over him.  “God can’t see us out here, Sprout.  He can’t help,” he said, grabbing my collar.  He sat up and pushed himself up onto his feet with a grunt.
      “Stay here,” he said, kissing my forehead.  “Whatever happens, don’t come out there.  Not if I’m screaming, not if I’m pleading for you to let me in.  Whatever I say, you CANNOT open that door.  Got me?”
      I nodded, feeling like that boy back on the farm, looking up to his Pap.
      He smiled and unlocked the bulkhead hatch.
      “Lock this behind me,” he said.  He smiled and slammed it behind him.
      I ran, locked it, then slumped to the floor beside the hatch, burying my face into my hands.  Funny things happen in space, I thought to myself.  It could have been my brain playing tricks on me, funny shapes in the reflections of steel and casings and all that shit, right?  What the hell was going on?
      I sat, waiting, tapping me feet on the floor, working through the nerves.  Hours passed, yet I stayed put, waiting for my Pap to come, to open the hatch and tell me everything would be okay, that Earth was just around the corner.  My ears popped and it felt like I was a hundred feet underwater, pressure shoving me down against the floor.  Blood trickled down my cheeks, dripping from my ears and it felt like someone was squeezing my eardrums.  When it finally stopped, I stood, hoping Pap would come inside any second.  When he didn’t, I opened the hatch and covered my mouth with my hand.
      Whole lots of crops were missing, barren stretches left, ripped up from the soil, like a tornado had whirled through, tossing entire dirt tracks all over the dome.  Stalks flittered through the air like snowflakes.  Nutrition dispensing pipes jutted up from the torn dirt tracks like broken bones poking through flesh.  On the ground, a long trail of field soil stretched from the field’s edge to the forward airlock, where the emergency shutter had slammed shut, sealing it tight.   
      Pap had opened it, and hadn’t escaped the suction himself.
      I stood there, looking around the dome, just as lost as Pap was that first day.
      I lied to the Captain, saying Pap had accidentally triggered the airlock on a maintenance check.  He would have wanted it that way, I think. 
      We’re a few days out from our destination now, and we’ve still got a long way to go before we’re home again.  I don’t know what’ll be there, waiting for me, and sometimes I even forget what Earth looks like.  It’s funny; space has a way of doing that to a guy.  As I write this, I’m having a hard time even remembering what Mom and Pap were like, and I have this urge to go outside, like an itch you just gotta’ scratch.
      Maybe that’ll change when we get planetside, maybe it won’t.

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